Did Brad Pitt’s head get really wrinkly or is that just your crown molding? If you have a projector but no projector screen, you’re getting subpar picture quality and are wasting a great machine. Even if your wall is a crisp, spotless white, any imperfection will be obvious when the Death Star looks more like a football than a moon. So. yeah, you need a screen. But do you get wall-mounted screen or freestanding? Which size and aspect ratio? Manual or motorized? Don’t worry - we’ve got you covered. Below are the best projector screens of this year, from budget to high-end, as well as all the buying advice you’ll ever need.
First, a little caveat. All the screens we list are available in multiple sizes and configurations. That makes choosing one option tough, but in all cases, we’ve gone with the one we feel represents the best value-for-money. You can always change it up if you want to spend less. Or more!
When it comes to projector screens, we look at everything: size, ease-of-use, portability, the works. It can often be difficult to choose a decent model, especially given how expensive they can be, but we think you’ll agree with our picks here. And as always, remember - prices were correct at the time of writing, but they can and do fluctuate wildly.
Aspect Ratio: 16:9
What We Like: Incredible screen technology, stupendous picture.
What We Don’t: Might be too expensive for some.
When it comes to picking the screen that represents the best value for money combined with the most impressive technology, the weightily-named Seymour Screen Excellence Ambient-Visionaire Black 1.2 takes it. For our money, this is the top projection screen pick of this year.
Although the one we have listed here is a 103” screen, Seymour works with a kind of mix-and-match system, allowing you to choose your frame type and size, and pair it with its Ambient-Visionaire material, giving you a highly customisable package. Regardless, we think the combination of specs that we’ve got here will be more than enough for most people, and most people will be utterly awed by the picture quality, which is out of this world. Rich, deep blacks and soaring contrast make this a winner. As a bonus, it’s incredibly easy to put together. It must be said that although it’s not expensive as something like the Stewart Filmscreen Phantom HALR, it’s still relatively pricey, and probably not suitable for those just getting started. For some screens that do fulfil that particular category, just check a little further down the list. They’re still very good, we promise!
See the Seymour Screen Excellence Ambient-Visionaire Black 1.2
Aspect Ratio: 16:9
What We Like: Innovative tech, hugely accurate.
What We Don’t: Some artefact issues, extremely pricey.
Would you pay over $4,000 for a screen? It seems like a joke, until you read about what Stewart have done to make the Phantom HALR 110” screen among the best on the market. The secret is down to their ambient-light-rejecting technology, which really set the screen apart. Without getting too technical, it involves the application of multiple layers to the screen body: a highly reflective underlayer, with a light diffusing layer plaster on top. What that means is that any light that isn’t directly projected onto it simply won’t exist.
Or at least, that’s the theory. For while this is an absolutely fantastic screen that delivers some genuinely brilliant picture quality, it does have its issues. Chief among these is its inability to deal with fast pans where the footage is bright – something which leaves behind visible artefacts. It’s enough to knock it down the list a little bit, a fact not helped along by that staggering pricetag. Ultimately, this is a great screen with a lot of potential, but it isn’t quite there yet.
See the Stewart Filmscreen Phantom HALR
Aspect Ratio: 16:9
What We Like: Phenomenal price for what you get, easy to assemble.
What We Don’t: May not be for everyone, especially those with smaller rooms.
In our opinion, there’s no question that this is the best-value screen money can buy. Not only does it come from Elite Screens, arguably one of the foremost projector screen makers, but it’s incredibly easy to install. We’ll talk about that in a sec; for now, rest assured that this projector will do everything you ask of it, including displaying a huge usable viewing area. It’s perfectly capable of taking both 3D and 4K projection, and offers phenomenal picture quality. The Stewart and Seymour screens have it beaten in terms of elite quality, but for almost everyone, this is a perfect pick. It’s got it all. The company may have released newer models, but we still have a lot of love for this pick.
Elite have really worked on the construction since the original ezFrame debuted, including improving the material and adding a border edged with rubber. While its static nature and high price means it’s probably not suitable for smaller setups, that doesn’t stop it being one of the easiest to use. It even ships with a full installation kit, including hammer and nails. Like all the screens on offer here, it comes in multiple sizes, so shop around for the one you prefer.
See the Elite Screens ezFrame 2 Series 120”
Aspect Ratio: 16:9
What We Like: Unbelievable detail.
What We Don’t: Pretty pricey.
Although it doesn’t quite reach the pricing heights of the Stewart Filmscreen Phantom HALR, EPV’s Darkstar eFinity may still be a little too expensive for most people. However, EPV (Elite Prime Vision) make some excellent screens, and we think that the Darkstar eFinity is one of the best they do – more attractive than their other lines, like their Peregrine series. Technically, EPV are custom installation wing of Elite Screens, but the two companies have entirely separate branding, and it seems right to us to treat them independently. We are not going to feature too many custom-installation screens on this list, but it would be remiss of us not to include at least one EPV.
What you get when you buy this is a screen that delivers absolutely extraordinary detail – unquestionably one of the best picture qualities on this entire list. That’s thanks to its ambient-light-rejecting tech, similar to the one found on the Phantom HALR, which allows it to shine – so to speak – in environments which aren’t completely dark. This makes it a truly versatile screen, and one we think is among the best out there.
See the EPV Darkstar eFinity ($3,138)
Aspect Ratio: 16:9
What We Like: Unbelievable picture.
What We Don’t: Easily the priciest screen here.
Stewart make some of the most expensive screens available, so it’s a good thing the image quality matches the price. The Cima 135” isn’t quite as mindblowing as the Phantom HALR, but it’s very good, with a big viewing area matched by some excellent picture quality. It’s relatively easy to set up and use, and we think that were it not for the eye-melting price tag, it would probably snag a spot on the regular list.
They use their own material, Tiburon G2, which has been tuned and calibrated to provide optimal viewing conditions at almost all angles. It rejects 40% of ambient light, and although it doesn’t really handle 3D, the smooth, durable, grey surface provides stunning quality, provided you’ve got a decent projector to match it. This screen and its variants are definitely not for everyone, but you do get what you pay for, and this is an absolute belter of a product. Check it out, if you have the funds.
See the Stewart Filmscreen Cima 135"
Aspect Ratio: 16:10
What We Like: Elite quality with automation added.
What We Don’t: Maybe a touch pricey?
If you’d like to experience owning an Elite Screen model and you a) have a fair amount of money to spend, and b) are in need of automation, then look no further than the VMAX2. We still prefer the ezFrame, above, but this is a very capable alternative, not to mention a much larger one.
For starters, not only do you get a very sizeable usable area, but you get a slightly increased aspect ratio, at 16:10. There is a full 180 degree viewing angle, and like many models in this range, it comes ready for both 4K and 3D viewing. Installation is dead simple, as it comes shipped fully assembled (so no electronics knowledge required) and you won't have to get up to adjust it, either, as it comes with its own remote. While we do think it’s price merits it dropping below the other screens on this list, that doesn’t mean it’s bad – far from it. This is one of our favourite automated screens, and if that’s what you’re looking for, you should check it out.
See the Elite Screens VMAX 2
Aspect Ratio: 16:9
What We Like: HD/3D support, huge range of sizes available.
What We Don’t: Not a lot!
This is one of the bigger names in home projection not named Elite Screens. Silver Ticket's STR range, which features more than once on this list, is a very respectable alternative to the models above it - particularly the Elite Screens VMAX2 - and will do any home theater setup proud.
For starters, although we've picked the 120" version here, there are at least a dozen different sizes available, making it ideal for setups ranging from small (115") to enormous (139"). It also has an interesting feature in that the screen is made of woven material that is acoustically neutral, allowing audio to pass through unimpeded. This means you can put speakers behind the screen, which is ideal for center/front speakers on 5.1 or 7.1 setups. Assembly of the tensioned screen is easy, and at this price, there's very little about the STR-169120-WAB that we don't like, beyond the clumsy name.
See the Silver Ticket STR-169120-WAB
Aspect Ratio: 16:9
What We Like: Great for use in lighter areas, or without blackout blinds.
What We Don’t: Grey color can be offputting!
Not everybody can afford blackout blinds. And it’s definitely a challenge for most people to have an underground home theater, as cool as that might be. For those people, the Elite Screens Aeon ALR Cinegrey may be the answer. This screen, which comes in various sizes (we’ve highlighted the 110” model here, which should be fine for most) doesn’t offer the clarity of something like the Seymour Screen EAVB 1.2, but it has one big party trick: the ability to reject ambient light.
Although the grey shade might not look great when it isn’t being used, it is able to push back up to 65% off-angle ambient light. That means that you can get away with just closing the curtains, and not having to worry about stray ambience sneaking in. It has a range of great features, too, like an LED backlight and the ability to take any type of picture, from 4K to 3D. It’s hardly a surprise to see Elite Screens at multiple points on this list, you can definitely consider this one of the top 10 screens available, and ideal for those without money to spend on a dark room.
See the Elite Screens Aeon ALR Cinegrey
Aspect Ratio: Unknown
What We Like: Innovative approach.
What We Don’t: No stats available.
Now here's something a bit different in an outdoor screen: this Giant Gemmy model inflates like a bouncy castle, so you won't need to mess around with pegs and guy ropes. It’s 151 inches wide and 85 inches tall, and even though the picture isn’t the sharpest on this list, you're still guaranteed lots of fun at the next barbeque. Unlike the Outstanding Screens Outdoor, at the bottom of this list, there’s nothing to stop you using it indoors, too.
This screen includes a power adapter and self-inflates—no need to put your lungs to the test—and comes with a large carrying case to help cart it around. The Giant Gemmy is perfect for an outdoor movie night or sporting event with a crowd of people, but keep in mind that picture quality can’t be expected to match an indoor screen. We should say from the get go that tracking down stats, like again and aspect ratio, is surprisingly difficult for the screen. As you mentioned, go in prepared to deal with a surface that might not be ideal for your projector. All the same, this fulfils a very particular niche.
See the Giant Gemmy Airblown Inflatable
Aspect Ratio: 16:9
What We Like: Tough construction.
What We Don’t: Can’t roll it up.
Silver Ticket is a big name in this home projector market, and if you don't find the STR-169110 to your tastes, there are plenty of other sizes and specifications to choose from - and of course, there’s the next-level Silver Ticket screen, above. However, with a 110-inch screen, 16:9 aspect ratio, and high-quality build components, this model is tough to beat. Silver Ticket screens use top-quality materials — this one is mildew and flame resistant and washable with mild soap and water. It’s not often that we have to ponder cleaning advice in roundups on TMS, not when applying water to any of our regular products would probably have them explode, but it’s nice to know that when the situation calls for it, a little cleaning solution can work wonders.
Outside of dirt matters, the STR-169110 has a heavy-duty beveled aluminum frame wrapped in black velvet to make your projected image the best it can be. That does mean it’s a permanent fixture in your room; there’s no rolling this one up. But this option if ideal if you don’t want to worry about bending or uneven picture. The viewing angles are very impressive too, and the STR-169112 supports Full HD projections and even 3D. With simple setup, excellent image quality, and a good price, this is one of our favorite projector screens.
See the Silver Ticket STR-169110
Aspect Ratio: 16:9
What We Like: Visual Apex’s legendary quality.
What We Don’t: We preferred the 9110SE.
A previous Visual Apex model, the 9110SE, was previously at number two on this list. It’s no longer available, sadly - or at least, not widely - and in looking for what to replace it with, we decided to go for the VAPEX ProjectoScreen144HD. It offers a huge size (although there are smaller variants available) at a very reasonable price, and we think it deserves a spot on this list.
Its detachable legs and easy assembly lend the PS144HD usability in a variety of applications, ranging from outdoor use to hanging on the wall in a traditional projector setup. The construction quality is solid, and there’s a black backing on the screen, to ensure your picture is as clean as it could be. Outside of that, there are no features that absolutely leap out, but it’s a solid entry for Visual Apex, and hopefully they’ll reclaim their top five crown soon.
See the Visual Apex VAPEX ProjectoScreen144HD
Aspect Ratio: 16:9
What We Like: Cheap for a motorized screen.
What We Don’t: You need two people to install!
Antra makes motorized projector screens in a variety of sizes, and they are among the cheapest motorized screens on the market. Clicking a button and seeing your screen roll down is much easier than having to drag it into position yourself, and you don't run the risk of tugging too hard and causing tears. The picture itself is respectable — depending on the quality of your projector and source material, of course — and we'd recommend this (or another Antra model if 135 inch is too big) for anyone who wants a good balance of price and performance for their home theater setup. An alternative motorised model would be the Elite Screens Spectrum Electric, which has slightly duller picture quality but also costs less.
Installation is straightforward (it’s a bit easier if you have someone to help you with the job) and two mounting brackets are included in the bundle. We still vastly prefer the VMAX2 for our automation needs, but if you’re keeping an eye on your wallet, then this is a good option. And hey: as with all models on this list, the price fluctuates, and you can always pick up one used. Keep an eye on Amazon for deals.
See the Antra Electric Motorized
Aspect Ratio: 16:9
What We Like: Feature set, warranty.
What We Don’t: Not a lot.
We know. You’re probably completely stunned to see another Elite Screens model on this list. But the company really does know what they’re about when it comes to projection, and if you’re looking for a mid range screen with good specs from a quality brand, look no further than this one right here. It is also one of the better motorized options on this list, certainly for this price range.
With the flick of an included remote or inline switch, you get a screen with excellent picture reproduction and a 1.1 gain. A 2-year warranty for home use and a 3-year warranty for government, education, military, and religious use means you’ll be covered for any issues that may come up, especially if you convince the Elite Screens folk that you are, in fact, a very religious government minister with a service record. The Spectrum is available in sizes ranging from 100 inches to 180 inches. And if you’re setting up a theater room with speakers mounted behind the screen, you can opt for the 1.0 screen gain AcousticPro screen surface, which is acoustically transparent.
See the Elite Screens Spectrum Electric
Aspect Ratio: 16:9
What We Like: Excellent quality for the price.
What We Don’t: Assembly is a total pain.
The VAPEX Pro 9100FF (sometimes styled as the VAPEXPRO9100FF, because projector screen companies never pass up an opportunity to be boring) is a surprisingly good budget screen with a decent viewing area and assorted specs, that provides passable picture quality, and is ideal for someone who is just getting started out, and doesn’t want to pay the earth for a screen.
Unfortunately, it definitely has its issues. Chief among these is the assembly, which takes a significant amount of time and is a tedious process – much more so than other screens on this list, like the Elite Screens Spectrum Electric – and that only a few dollars more, that screen is definitely superior. However, this is a good alternative, and while we think it’s definitely got some issues, we must say again that the picture quality is worth the effort it takes to assemble it stop its clear, pristine, and detailed, with great life and verve.
See the Visual Apex VAPEX Pro 9100FF
Aspect Ratio: 1:1
What We Like: Easy to setup and adjust.
What We Don’t: Middling picture quality.
Got a small room? Getting started with projection? This is the ideal entry point. It’s picture quality can’t touch other models – even something like the Epson Duet ELPSC80 hazard beaten on that score – but it’s the perfect way to get started. We really like how easy it is to not only set up, but to adjust, as well. Some genuine thought has gone into the design – far more than you’d expect for the price.
The multilayer matte material does an acceptable if unspectacular job of displaying image quality, with some good detail and relatively deep blacks. We know we sound like this is slightly negative, but for this price, what you’re getting is a very good deal. Beyond that, there’s nothing too exciting about the screen; it certainly manages to earn it spot on the budget end of this list, but if you feel like getting more serious, you should definitely check out other models.
See the Vivo PS-T-100 ($83)
Aspect Ratio: 4:3/16:9
What We Like: Ease of use, multiple aspect ratios.
What We Don’t: Small size.
Another big player: Epson. They've got a nice lineup of projectors for the home and office, so you would expect the company to offer numerous screens as well. Surprisingly, there aren't that many, but the Duet ELPSC80 is a popular choice among those who want a reasonably priced projector screen that can be packed up and moved. In this, they offer something that many other screens on this list can’t, which is a degree of portability – outside of, you know, the inflatable Giant Gemmy, which is the only screen here that can be packed into a suitcase.
Anyway. The ELPSC80 works well in either the office or with a home theater system, and it has an easy setup process that is much less fiddly than some other screens. The ELPSC80 can expand horizontally and vertically—you can set it to a 4:3 or 16:9 aspect ratio—and the image quality are impressive. As long as you don't mind the business-centric design, you should like the ELPSC80. It comes with a tripod but a handy wall mount for your home is included.
See the Epson Duet ELPSC80
Aspect Ratio: 16:9
What We Like: Square shape.
What We Don’t: ...Square shape.
It isn’t going to win any awards for best company name, despite actually using the word Best, but when it comes to budget screens, this particular model has won plaudits across the world. In fact, if this list were solely restricted to screens under $100, we would probably make this our number one choice. So perhaps the company name is apt after all!
Occasionally, you have a need for a screen that isn't a rectangle - a rare occurence, but one that still happens. In that case, this screen, with its 1:1 aspect ratio, is the perfect choice. This might sound like a disadvantage, but if you can deal with the shape, you get an awful lot of bang for your buck, including a good-sized useable area and a decent overall size. A simple, functional screen which fulfils a niche. (And before you drop snarky comments at the bottom, we know it doesn’t look square in the image. It really is, with that 1:1 aspect ratio and an 84” x 84” size, which translates to a 119” diagonal. Like we said: a niche product, but perfect for squares).
See the Best Choice Products Manual Projector Screen
Aspect Ratio: 4:3
What We Like: Cheapest option, simple operation.
What We Don’t: At this price? Not a lot!
At this end of the market, price trumps image quality. That's not to say the Pyle PRJSM7206 offers up a bad picture, but you're spending less than $60 for this wall-mounted screen so top-rate image quality may not happen.
You get a matte white projector screen with a black masking border, and once wall mounting is out of the way, operation is simple — pull down the screen and it locks into place. This screen is easy to set up and durable in use, but bear in mind that the overall feel is more schoolroom than home theater. But if price is an important consideration, the PRJSM7206 is a great value pick - albeit one trumped by models from Best Choice and Vivo, which we think do a better overall job. The screen comes in a range of sizes as well as standing and tripod versions, so you should theoretically be able to use it in just about any situation you care to name. This is far from our top choice, but for those on a budget, it’s well worth taking a closer look at, especially if you just need a simple screen for a home or office setup.
See the Pyle PRJSM7206
|Seymour Screen EAVB 1.2||$2,200||103"||16:9||1.2||87.4" x 48.7"||No||100°|
|Stewart Phantom HALR||$4,132||110"||16:9||1.0||Unknown||No||120°|
|Elite Screens ezFrame 2||$479||110"||16:9||1.1||104.7” x 58.7”||No||160°|
|EPV Darkstar eFinity||$3,138||110"||16:9||0.9||Unknown||No||180°|
|Stewart Filmscreen Cima 135"||$1,898||135"||16:9||0.95||123" x 71"||No||120°|
|Elite Screens VMAX 2||$657||128"||16:10||1.1||108.5” x 67.8”||Yes||180°|
|Silver Ticket STR-169120-WAB||$400||120"||16:9||1.1||105" x 59"||No||160°|
|Elite Screens Cinegrey||$599||110"||16:9||1.2||53.9"x 95.9"||No||Unknown|
|Giant Gemmy Airblown||$279||150"||Unknown||Unknown||123" x 70"||No||160°|
|Silver Ticket STR-169110||$300||110"||16:9||1.1||96" x 54"||No||160°|
|Visual Apex VAPEX 144HD||$250||152"||16:9||1.1||125” x 71”||No||160°|
|Antra Electric Motorized||$419||135"||16:9||1.1||118" x 66"||Yes||160°|
|Elite Screens S. Electric||$150||100"||16:9||1.1||87" x 49"||Yes||180°|
|Visual Apex VAPEX 9100FF||$189||100"||16:9||1.1||87” x 49”||No||100°|
|Vivo PS-T-100||$76||100"||16:9||0.9||78” x 58”||No||120°|
|Epson Duet ELPSC80||$148||80"||4:3/16:9||1.1||65" x 40"||No||Unknown|
|Best Choice Manual Screen||$52||72"||16:9||1.1||84" x 84"||No||180°|
|Pyle PRJSM7206||$55||72"||4:3||Unknown||59" x 39"||No||Unknown|
*A.Ratio = Aspect Ration
**UA = Useable Area
***Aut. = Automation
****VA = Viewing Angles
- Projector Screens vs. Walls
- Projector Screen Setup Explained
- Size vs. Useable Area
- Aspect Ratio vs. Gain
- Viewing Angle Explained
- Acoustic Transparency Explained
- Automation: Fixed vs. Retractable Projector Screens
- Tension vs. Non Tension
- Common Projector Screen Mistakes
The most common question we get sent regarding projector screens is very simple: why can’t I just use the big, white wall that is already in my living room?
To answer that question, and explain why it’s a really bad idea, you have to understand how light reacts on certain materials. When you project a movie, what your projector is doing is shining light onto the projection surface. No more, no less. For you to be able to get a high quality image, as much of that light as possible needs to be reflected back at you, so it can enter your eyes. So far so good.
The problem is, walls – even ones painted white – aren’t built to be reflective. There’s a very good reason for that, in that living in an apartment or a house with reflective walls would be pretty unpleasant. More importantly, walls aren’t completely smooth: even the best ones have a slight texture, one which is random – if you look close enough – and will do horrible things to light when it’s reflected onto it.
That’s irrespective of how bright white the paint is. Yes, you could still in theory project an image onto it, but it will be nowhere near as good as it would be if you used a dedicated screen. That’s not only due to the fact that screen material is designed to accurately reflect the light from your projector back, while rejecting as much ambient light as possible, but also because most if not all projection screens come with a black border. There’s a reason for this: it’s a psychological trick, separating the image on the screen from the world around it in our mind, and making the image clearer. And no, painting a black square or rectangle on the wall will not give you the same effect. Put that paintbrush down.
Each screen will come with full instructions. If not, have a quiet word with the manufacturer, and tell them to stop being ridiculous.
Many screens are free-standing. Some can be inflated, which is often the easiest option. Others will need to be bolted to the wall, which will require the use of a screwdriver and a cable detector. Please, please, please: use that last one. Don’t go drilling into walls that may hide an electric shock.
If you’re setting up a theater room, you’ll have seats spread across a wide area and you’ll want to get the same picture everywhere. If you’re getting a screen for a theater room, you may want to dip below 1.0 screen gain - gain is explained below). Some grey screens claim a 0.8 measurement, which would help in wider rooms.
However, if you’re setting up a conference room, or putting a projector in your living room, getting a higher-gain screen means you’ll be able to project with some lights on or when the sun is out. In general, a high gain is more helpful in a wider range of environments while a low gain is better at accurate color recreation and producing wide viewing angles.
If this is super important to you, and all you want is a screen that is easy to set up, then we strongly recommend the Elite Screens VMAX 2, which balances terrific picture quality with very simple setup.
Very obviously, when you’re working with projector screens, you need to be concerned about size.
This is not just a simple as two measurements of height and width. For starters, actually getting those figures involves a (sometimes reasonably deep) dive into manufacturer specifications. This is because manufacturers give the size of the screen in a single measurement, which represents a line from one corner to the other, diagonally. It makes for good marketing copy, but it can be a little bit annoying, as it doesn’t actually tell you how much of the screen is going to be taken up with an image.
Fortunately, one of the things many manufacturers do state is what is known as the usable area of the screen – as in, the actual area which can have an image projected onto it, usually contained within a simple border. And because we love you, we’ve dug this out for you. This will give you a general idea of just how big your movie image is likely to be. Remember: size isn’t everything, and you’ll get far more out of a slightly smaller screen made out of high quality material then you will out of a larger screen costs a little less.
Aspect ratio refers to the shape of the projected image, measured in various sizes.16:9 and 4:3 are common, but there are various options. Although 16:9 has stormed standalone TVs, some movie aficionados prefer 2.35:1. However, the HD standard (and the upcoming Blu-ray Ultra High-Definition standard) are for 16:9. If all your media is 16:9, you’ll want to get a screen to match to maximize your screen real estate. Also consider that larger screen need more support, with many large screens coming in at 35 pounds or more.
Gain is a measurement of light reflected off the screen to the optimal viewing angle (the “Zero Degrees Viewing Axis”). A screen gain of 1.0 is equivalent to the light reflected off “a standard white (magnesium oxide) board,” according to Projector Central, who presumably know about these things. The easiest way to think about it is as a percentage. A screen with a gain of 1.0 reflects back 100% of the light shone on it. A screen with 0.6 will only reflect 60% back, and a screen with 1.2 gain will shine back light at a 120% brightness. (For reference, the screen on our list with the brightest gain is the Seymour Screen Excellence Ambient-Visionaire Black 1.2 - unsurprisingly, its gain is 1.2).
Now you might think that, taking all that into account, a screen with high gain is what you want to go for, right? Well, it’s not that simple. High gain screens have problems. For one thing, the higher screens gain, the lower the viewing angle is – we will talk about this in more detail below, but the upshot is that the higher the gain, the harder it is to see a clear image unless you’re sitting directly opposite the screen. If you have a large screening area with lots of seats, especially ones off to the sides, you may want to go for a screen with a slightly lower gain. You’ll need to reduce the ambient light, but you should be fine. If you have a small viewing area, or space to put all the seats directly in front of the projector, then by all means go for a high gain screen.
Imagine yourself sitting in front of a projector screen, watching Mad Max. Or Harry Potter. Whatever. Your favorite movie.
You are sitting perpendicular to the screen itself, facing it. You are able to see everything. Now, imagine a half-circle, with you at the circle’s apex and the screen directly opposite on the diameter. This – as anybody who has done high school math will know – is a shape of 180°.
If the screens viewing angle is 180°, you will be able to see a clear image on it from anywhere in the half-circle. If it’s 120°, the image will start to blur and disintegrate as you move to the sides of the circle. The lower the number gets, the more you will need to be seated directly in front of the screen to get a clear picture. Really, that’s all there is to it. Viewing angle is a subject that can be filled with tons of jargon, if you delve into it, but all you need to know is that the wider the viewing angle, the better. And as we said in the previous section, high gain screens typically have slightly lower viewing angles, so do take that into account.
In a movie theatre, the front speakers are nowhere to be seen. That’s because they are behind the actual movie screen itself. It’s one of those things that makes total sense when you think about it, but you also can’t believe you’ve never thought about it before.
This arrangement can work because the material the screen is made out of is acoustically transparent – it doesn’t affect sound, allowing the soundwaves to pass through unmolested. We need the same arrangement in our home cinemas as well. This is especially true in small spaces, where you may need to place your floorstanding speakers or center channel speakers behind the actual screen itself. There’s nothing wrong with doing this, provided your screen’s material is acoustically transparent.
A good example of a screen that accomplishes this is the Silver Ticket STR-169120-WAB. The material is specially woven and tested to make sure that it does not interrupt sound coming from behind it, meaning you can happily place your speakers out of the way. If you want to. Most speakers these days are actually quite beautiful, so you may want to keep them in view. Your call.
Ah, the beauties of modern technology. You want to get started on projection, but don’t want a boring projection screen hanging around your living room all the time? At the touch of a button, it could just roll away – although you will certainly pay for the privilege. Motorized or automated screens, which roll up into their housing, are typically a little more expensive than static screens, which don’t. You will also have to deal with potential breakages down the line, although it must be said that these are very frequent – especially not for the manufacturers on our list, most of whom make reliable screens. We think one of the best motorized screens, for reference, is the 135” Antra Electric Motorized, along with the VMAX2 mentioned above.
You may have bought a projector because it takes up less space than a TV, so you’d want a screen that hides away too. Or you might be decking out a media room and want a more permanent solution. Above we even suggest portable options that can be taken outside for backyard viewings. If you want something that can be hidden away, consider a ceiling-mounted screen. They can even be pulled down at the push of a button if you opt for a motorized version.
However, if you’re setting up a Hollywood theater, get something a little more permanent — these screens are optimized to be perfectly flat and can be attached directly to your wall, mitigating any concerns about the screens getting damaged via wear-and tear.
This is a particular stat that isn’t always immediately clear, but if you want to make projection of permanent part of your life, it’s super important to bear in mind.
It refers to the ability of the screen to stay flat and even throughout its life. A tensioned screen will have sturdy wires running along the outside to keep the surface pulled taut, whereas a non-tensioned screen will not. A screen without tension will sometimes, over the course of its life, develop these weird little waves in it that can mess with the image. This isn’t a guarantee, but it’s sometimes prevalent, especially in cheaper screens.
Not to worry, though. Most screens above around $200 will almost certainly have this feature included.
For the most part, projector screens and their setup instructions/buying advice have progressed to the point where actually purchasing and mounting one of these monsters is relatively straightforward. Unfortunately, this is a product category with a legacy of difficulty when it comes to actually getting the products themselves mounted, so it’s worth pointing out a couple of pitfalls that can easily be avoided.
The first, very obviously, is to make sure that your buying the right kind of projector, in terms of whether you want it manual or motorised. It’s an easy mistake to make, as you’re swallowed alive by aspect ratio and gain stats and viewing area sizes. You will also be wanting to closely measure the area you’re going to mount/display it, as it is super annoying to have to return a screen for a different size once you’ve actually bought it.
Second thing. We haven’t covered it here, as it’s not too big a problem with modern screens, but you need to make sure that the one you buy has a decent viewing angle. It’s not a problem if you just have a single couch, but if you have multiple sitting positions, you’ll want to make sure that your guests are going to be craning their heads or nudging their way into your space. Anything from around 90-180 degrees viewing angle should do the trick, and obviously the closer to 180, the better.
Finally: installation accessories. Some screens, like the Elite Screens ezFrame 2 Series 120”, come with everything you need to mount them. But this is by no means guaranteed. You may need additional mounting brackets, screws, hammers, glue… Anything, really. Make sure you fully understand what is required to get a screen up and mounted, and if necessary, invest in things like mounting brackets.