The 5.1-channel surround audio system has been around for two decades now, and has become the absolute standard for home theaters. But if you go up to the luckier-sounding 7.1 surround system, the cinematic audio experience is delivered through seven speakers and a subwoofer. What this bigger set does to the audio ambience is substantial, and the improvements to the directionality and continuity of the sound are immediately noticeable. Note that these are complete systems, rather than mixed-and-matched speakers. For more background information on 7.1 home theater, see our comparison tables and buying advice below the picks.

Best Overall 7.1 Home Theater System

1. Aperion Audio Verus III Grand Tower Surround 10D ($5,844) paired with the NAD T 778 ($2,999)

Aperion Audio Verus III Grand Tower Hybrid 12DReceiver Wattage: 110/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS Master Audio
Expandable To: 9.2
What We Like: Splendid audio combination - NAD and Aperion together are a real win.
What We Don’t: Quite pricey, lack of specs.

Aperion Audio makes absolutely tremendous home theater gear. Their latest update to the Verus series retains its spot on this list and with good reason. The new speakers in the Verus III range have redesigned tweeters and tweaked crossovers, giving them even more crisp detail. This spot on the list was previously held by the KEF R Series, but that's no longer offered as a package. Truthfully, the Verus III can go head to head with more expensive speaker systems from Klipsch and Martin Logan, below. While we've highlighted the 10D version here, which we think is the best, it also happens to be the most expensive model they offer. However, there are plenty of variations, if you want to spend slightly less.

When you pair these speakers with NAD's T 778, magic happens. The T 778, while occasionally a little tricky to find – it’s still new at the time of writing – is a superb AV receiver. It goes beyond simply being a big black box with cable connections, displaying a user interface on a fantastic color touchscreen. We also think it pairs beautifully with the Aperion system and, if you can score yourself these speakers along with the T 778, you’ll have a system you can truly be proud of. You will definitely pay for this combination, but it's a great one, and worthy of a place on this list. We do, however, wish that Aperion had thought to release more specs. We’d like to know the wattage range of the speakers and their frequencies
See the Aperion Audio Verus III Grand Tower Surround 10D See the NAD T 778

A Close Second

2. Klipsch Reference Premiere 7.1.2 ($4,394) paired with the Denon AVR-X4500H ($1,599)

Klipsch 7.1.2 SystemReceiver Wattage: 125/8Ω, 2Ch Driven
Surround Tech: Dolby (Various), DTS (Various)
Expandable To: 11.4
What We Like: One of the best Klipsch systems on offer.
What We Don't: Perhaps not quite as revealing as we'd like.

The Klipsch Reference Premiere 7.1.2 is one of the best packages the company offers. With its solid power handling, excellent dynamics, and stellar looks, it's as exciting a lineup as you could want. Trying to navigate through the labyrinth of product types and collections the company offers can be daunting, but the Reference Premiere 7.1.2 is one to zero in on. So to speak.

With the package, you get an excellent set of speakers, including the outstanding RP-8060FA floorstanding speakers and the SPL-100 subwoofer. This is a full Dolby Atmos system, meaning you've got access to possibly the best surround sound program available. It features brilliant audio quality: rich, dynamic, and exciting. Our taste still runs to the amazing Aperion Audio Verus III Grand Tower Surround 10D, above, but this is an excellent second choice. It works especially well with the Denon AVR-X4500H - a model you'll see appearing more than once on this list. If you truly want to experience Klipsch, this is an excellent place to start.
See the Klipsch Reference Premiere 7.1.2 See the Denon AVR-X4500H

Best Budget 7.1 Home Theater System

3. Sony STR-DN1080 7.2 ($1,498 - Package)

Sony STR-DN1080 7.2Receiver Wattage: Unknown
Surround Tech: Dolby (Various), DTS (Various)
Expandable To: 7.2
What We Like: A superb speaker package built around a terrific receiver.
What We Don’t: Lack of specs, difficult to upgrade later.

The Sony STR-DN1080 7.2 package is quite unusual. In most cases, the speakers come first and the receiver is almost an afterthought. But in this case, Sony have built a package around their excellent STR-DN1080 AV receiver. While the speakers aren’t particularly special in their own right, they pair exceptionally well with this receiver. This is a single-purchase package that gives you everything you need for a 7.1 setup. It’s highly affordable, sounds excellent, thanks to the speaker/receiver pairing, and will fit in just about any living room.

As the STR-DN1080 package is a budget offering – or at least, a less expensive one than other models – you shouldn’t expect dramatically brilliant sound. That’s specially true when compared with slightly more expensive offerings like the Klipsch RP-250F 7.1 / Onkyo TX-RZ820 pairing below. If you plan to upgrade with additional speakers later, you may want to invest in a different receiver from this list. However, the STR-DN1080 package is an easy pick for best budget 7.1, and we think it’s going to be on this list for a while.
See the Sony STR-DN1080 7.2

Best High-End 7.1 Home Theater System

4. Bowers & Wilkins CT800 ($90,000)

Bowers & Wilkins CT800Receiver Wattage: N/A
Surround Tech: N/A
Expandable To: N/A
What We Like: Arguably the most powerful home theater package on the planet.
What We Don’t: Only millionaires need apply. 

Well, what did you expect? This is such an expensive package (custom installs only, if you please) that it's really only to be considered a high-end option. But oh man, does it sound good. We've only ever heard it at audio shows, and then only once, but…damn.

It's actually designed to be a 7.3 channel system, which is crazy rare, and requires all sorts of additional components (switchers, power supplies, bespoke cables) to get the best out of it. You'll notice how we haven't actually recommended a receiver for this one. That's deliberate - firstly, we're not sure we're capable of making that choice, which is something best left up to whichever B&W engineer visits your man cave to install this thing, and secondly, because we're not sure a single-box receiver exists that could handle it! At a push, we'd pair this with some Krell separates, but it's a big push.
See the Bowers & Wilkins CT800

Best Wireless 7.1 Home Theater System

5. Axiim 7.1 WM Series ($4,536)

Axiim 7.1Receiver Wattage: N/A
Surround Tech: None
Expandable To: N/A
What We Like: The ultimate in convenient sound.
What We Don't: Wired systems have better audio, the pricetag is hefty, no Atmos or DTS:X.

Money doesn't always buy convenience. Ask anybody who has to setup a five-figure system, and you'll be bored to tears hearing them talk about power supplies, dedicated DACs, and how they personally keep speaker wire companies afloat. Axiim have done away with all that, with their new 7.1 WM Series release. It's a mostly wireless home theater system that both looks and sounds fantastic, and deserves its crown here.

The drawback is that you have to plug each speaker into the mains, meaning you'll need eight power cords - seven for the speakers, plus one for the sub, and eight outlets to connect them up to. Since they're likely to be at opposite sides of the room, you'll need a large space, or lots of extension cords. You also won't be able to upgrade later with speakers from other companies, and you'll have to pay a sizeable amount for the privilege. The sound also doesn't touch the Aperion combo, at the top of this list, which beats it on detail and energy. But what you're paying for here is a home theater room without wires, and we've rarely seen such a system - even by folks like SONOS - done with this much panache. Flawed, but still brilliant.
See the Axiim 7.1 WM Series

Best of the Rest

6. Klipsch RP-8000F 7.1 System / Denon AVR-X4400H Package ($3,099)

Klipsch 7.1 SystemReceiver Wattage: 105/8Ω, 2Ch Driven
Surround Tech: Dolby (Various), DTS (Various)
Expandable To: 11.2
What We Like: Incredible-sounding combo with potential to expand.
What We Don’t: Availability issues.

Klipsch and Denon were made for each other. This particular combination – the Denon AVR-X4400H receiver matched with a 7.1 system anchored by the Klipsch RP-8000F floorstanding speakers – is the definition of mint. The audio quality created by this marriage is rich and dynamic, and the system gives you opportunities to upgrade all the way up to 11.2 channels. This also comes at a relatively affordable price, especially when compared to the Aperion Verus III 10D at the top of the list.

However, as good as this package is, we’ve encountered some availability issues in the past. Klipsch make so many speakers, and have such obscure naming practices, that it’s often very difficult to tell the difference between them. Manufacturers and third-party sellers tend to swap components to create various systems for sale, and while this is one of the best available right now – seriously, it’s great – there’s no telling how long it will be around for.
See the Klipsch RP-8000F 7.1 System / Denon AVR-X4400H Package

7. MartinLogan Motion 7.1 Ultimate ($7,095) paired with the Anthem MRX 1120 ($3,599)

MartinLogan Motion 7.1Receiver Wattage: 140/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X
Expandable To: 11.2
What We Like: Two companies working in perfect synergy.
What We Don’t: Not too much for this price!

One of the things we set out to do when writing this piece was to see if we could include all the big speaker-makers – surprisingly tricky, as not all of them offer complete packages (SVS, for example, only offer a 5.1 package). That's not a problem for sister companies MartinLogan and Anthem. MartinLogan offer a dedicated setup they call the Ultimate, and while we don't think it beats the KEF R Series, it's still incredible. The audio is incredibly detailed and textured, particularly the bass, which is served by the company's top-of-the-line Dynamo 1500X subwoofer.

To go with it, we'd recommend a receiver from Anthem. As part of the stable of companies, the engineers will work closely together, and these two elements absolutely sing. The MRX1120 may have slightly limited codec support, but what it does offer is Anthem's famed Room Correction, expertly tuning the speaker system to your room. And besides, this goes up to 11.2 channels if you ever decide to go really big. Go on: you know you want to.
See the MartinLogan Motion 7.1 Ultimate See the Anthem MRX 1120

8. Paradigm Premier Series ($5,500) paired with the Marantz SR8012 ($2,999)

Paradigm Premier SeriesReceiver Wattage: 140/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X, Auro3D
Expandable To: 11.2
What We Like: One of the few packages Paradigm offers - and it's a beast.
What We Don't: Value-for-money isn't quite there.

Paradigm really shine when you start mixing and matching separates - they have a huge catalogue, and for home theater fans, it can be a lot of fun constructing a dream system. The relatively new Premier Series is a chance to build one from matched components. Don't be fooled by the mix-and-match interface on their website; it's easy to build a system as big or as small as you want, and it'll sound amazing - although, you'll need to add a subwoofer. Paradigm are known for their thick, powerful bass, and this system really delivers on that.

Speakers this weighty need a beast of a receiver, and we think the epic Marantz SR8012 is the one to go for. Yes, it's expensive - arguably more than it needs to be - but it pairs well with the Paradigm system, and offers a smorgasbord of surround sound codecs and features. Plus, you can always choose a slightly less expensive receiver - the NAD T 778, perhaps - and save a bit of cash. This system matches up well against the MartinLogan speakers, and is an altogether better investment than the Def Tech / Yamaha combo, below.
See the Paradigm Premier Series See the Marantz SR8012

9. Nakamichi Shockwafe Elite 7.2.4 ($950)

Nakamichi-Shockwafe-Elite-7.2.4Receiver Wattage: N/A
Surround Tech: Dolby Atmos, DTS:X
Expandable To: N/A
What We Like: Unreal sound quality, convenience.
What We Don’t: Clunky controls and remote.

It’s very rare to find a soundbar system that pushes 7.1 channels or more. The Nakamichi Shockwafe Elite 7.2.4 is one of the only packages we’ve seen do it. The Shockwafe Elite is a stupendous system: a massive five-channel soundbar, two rear surrounds, and two wireless subwoofers, designed to create spectacular surround sound with full Dolby Atmos and DTS:X compatibility. A soundbar system may not be the natural choice for a home theater setup, but trust us: the Nakamichi Shockwafe Elite 7.2.4 definitely belongs on this list. It gives comparatively priced systems, like those from Onkyo and Fluance, a run for their money in the sound department, and easily bests them in terms of convenience.

There are two notable downsides to consider when choosing the Shockwafe Elite. The first issue is that it’s very difficult to add additional speakers, if you decide to upgrade – this is very much a closed ecosystem. The second issue is that the controls – particularly the remote – feel clunky and unintuitive. However, if you can look past those flaws, you’ll find an exceptional soundbar system. Although, if we are being honest, that name is getting to us. Every time we write the word Shockwafe, we twitch.
See the Nakamichi Shockwafe Elite 7.2.4

10. Definitive Technology 7.1 System ($4,522) paired with the Yamaha RX-A3080 ($2,000)

Definitive Technology 7.1 System

Receiver Wattage: 150/8Ω, 2Ch Driven
Surround Tech: Dolby (Various), DTS (Various)
Expandable To: 11.2
What We Like: Unbelievable sound, at a very good price.
What We Don't: No Auro3D, despite the sound parity.

Yes, Definitive Technology do in fact offer a dedicated home speaker package, albeit with a BIC Acoustech subwoofer thrown in (you can buy it all in one go, so it totally counts!) The 7.1 system, which combines speakers like the BP9060 floorstanders and four SR9040 surrounds, does a great job of articulating the position and depth of the audio elements in the mix. Although we don't think it reaches the heights of the MartinLogan Ultimate 7.1, it definitely makes a good account of itself – especially when it's paired with the receiver in question.

The Yamaha RX-A3080 is a beast of a receiver, and one that pairs well with the agile Def Tech system. You get multiple surround codecs, plus the ability to go all the way up to 11.2, if you have the room to add additional speakers. It's less-expensive combo than the Def Tech / Yamaha one, and we think it's quite different in terms of sound signature, with a little more emphasis on warmth and depth. It would have been nice to have Auro3D, however, which would mean we could have a speaker on the ceiling - colloquially referred to as the Voice Of God speaker.
See the Definitive Technology 7.1 System See the Yamaha RX-A3080

11. Fluance Signature Series 7.1 ($1,490) paired with the Pioneer VSX-934 ($377)

Fluance Signature Series 7.1Receiver Wattage: 120/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X
Expandable To: 11.2
What We Like: Fluance and Pioneer work really well together.
What We Don't: Not the most wallet-friendly budget option.

The Fluance Reference Series is technically a 7.0 system, rather than a 7.1. But at this price, you could quite happily spend another grand on a good subwoofer and still be ahead of the game. The Signature Series is an upgrade to the old Reference Series, and it's a real jump in quality. Be aware that it costs roughly $460 more than the previous model, meaning this combo isn't as budget-friendly as we'd like. The Onkyo HT-S9800THX, above, still beats it.

Pioneer’s VSX-934 receiver matches well with this speaker system - more on this below - producing sound that delivers bell-like clarity with a deep low-end and terrific dynamics. It’s one of Pioneer’s newest receivers, and although it’s not especially brilliant receiver on its own, the power output and circuitry really make the Fluance speakers sing. We also love the modern features, like the inclusion of Apple AirPlay 2. The price feels right, too - at $479 for the receiver, it means you’re able to get an excellent system for under $2,000.
See the Fluance Signature Series 7.1 See the Pioneer VSX-934

12. Aperion Verus III Grand Bookshelf Harmony 12D ($4,145) paired with Denon AVR-S740H ($479)

Aperion Verus III Grand Bookshelf Harmony 12DReceiver Wattage: 75/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X
Expandable To: N/A
What We Like: A great way to experience Aperion at a relatively decent price.
What We Don't: Beaten out by other systems.

We hemmed and hawed about whether or not to put a second Aperion system on this list. But their speakers perform so well that we wanted to highlight another package. Even if it isn't quite as good as the more affordable Fluance / Onkyo combo above, and doesn't even come close to their amazing Verus II system, the Grand Bookshelf Harmony 12D system is superb. Despite the Bookshelf in its name, this isn't a hi-fi system; it comes in 5.1 and 7.1 variations, and is clearly designed for smaller rooms where bookshelf speakers would be better than floorstanders. The sound is outstanding, with great detail and imaging.

We were also quite surprised at how well the system paired with the Denon AVR-S740H, a receiver that costs around a tenth of the price. Not a complaint, of course - anything friendly on the wallet is good, and we adore this particular Denon. This is a great combo, and a perfect one for smaller rooms.
See the Aperion Verus III Grand Bookshelf Harmony 12D See the Denon AVR-S740H

13. Polk Audio Signature 7.1 System paired with the Denon AVR-X1300W ($1,954 - Package)

Polk Audio Signature 7.1 SystemReceiver Wattage: 80/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X
Expandable To: N/A
What We Like: Very affordable system.
What We Don’t: Bass could be a lot better.

If you've only got a couple of thousand dollars…we can't believe we just wrote that, because two grand is still a sizeable amount of money. But if that's your budget for a home theater, then this delectable package is worth looking into.

The Polk Signature 7.1 system combines several speakers from the company's excellent S range, all of which offer decent sound – although it definitely won't compete with things like the Infinity Reference 7.1, which we think offers much better sound quality. Better bass, too: Polk's DSW PRO 550 subwoofer is a bit mediocre, to be perfectly honest, although there's nothing stopping you from swapping in a subwoofer of your choice – and the same goes for all the other speakers. Paired with this system is a gorgeous Denon receiver that offers basic features, but which really brings out the best in this particular speaker set. It certainly isn't going to punch its way onto the top of this list, but it's very good for the cost.
See the Polk Audio Signature 7.1 System / Denon AVR-X1300W

14. Klipsch RP-250F 7.1 paired with the Onkyo TX-RZ820 ($2,795 - Package)

Klipsch Rp-250FReceiver Wattage: 150/8Ω, 2Ch Driven
Surround Tech: Dolby (Various), DTS (Various)
Expandable To: 9.2
What We Like: Great pairing that delivers a powerful, punchy audio landscape.
What We Don't: Somewhat overpriced for what you get.

Onkyo recently discontinued many of their home theater packages, which is a shame considering how good they were. Fortunately, their receivers live on. More importantly, they live on as part of several excellent 7.1 packages, like this one, which pairs the Onkyo TX-RZ820 receiver with the Klipsch RP-250F 7.1 speaker system. The speakers here are hugely powerful, with great range and dynamism, and we believe that the TX-RZ820 is more than a match for them.

The problem is, as good as the pairing is here, we just feel like there’s nothing to elevate it above other options on this list. The $2,795 price is expensive, but for only a little more ($3,099), you can get the Klipsch RP-8000F 7.1 System / Denon AVR-X4400H package mentioned above, which is exceptional. Ultimately, while this package deserves to be on the list, it should be viewed as an alternative, rather than the main event. Note that we’ve seen availability fluctuate, so don’t be surprised if this package is unavailable before we get a chance to update this piece. The good news is that there are many more options.
See the Klipsch RP-250F 7.1 / Onkyo TX-RZ820 Package

15. Acoustic Audio HD-725 7.2 ($239) paired with the Denon AVR-X1600H ($599)

Acoustic Audio HD725Receiver Wattage: 80/8Ω, 2Ch Driven
Surround Tech: Dolby Atmos, DTS:X
Expandable To: 5.2.2
What We Like: Offers Chromecast, decent sound quality.
What We Don’t: Nothing special.

Unlike many other options here, the Acoustic Audio HD-725 7.2 consists of in-wall speakers. You’ll need some DIY skills, particularly when cutting the holes (in ceiling or walls) to get exact measurements so you can match the speaker brackets. You’ll be rewarded for your efforts with solid budget sound - as far as we can tell, this is one of the most affordable in-wall systems currently available.

The Acoustic Audio HD-725 system is a great option for those interested in discreet-looking surround home theater setup, and even has some impressive audio to back it up. To truly shine, we suggest pairing it with a capable receiver, like the Denon AVR-X1600H. This system not only comes with HEOS wireless room integration, but also Apple AirPlay 2 - and it sounds terrific While this speaker set might not be our top choice, we think the Denon combo pulls the package together nicely for a solid budget-friendly option.
See the Acoustic Audio HD-725 7.2 See the Denon AVR-X1600H

16. Pyle PT798 SBA 7.1 System ($198)

Pyle PT798SBA 7.1Receiver Wattage: Unknown
Surround Tech: None
Expandable To: N/A
What We Like: For $200, it’s much better than you think!
What We Don’t: Poor digital connectivity.

While not having the bells and whistle of an elite system by any means, the Pyle PT798 SBA  is an inexpensive way to get into 7.1 surround sound. The sound quality is decent enough - you certainly get things nice and loud here, even if the speakers lack in detail and clarity when compared to expensive systems.

One major drawback is the lack of digital connectivity - no HDMI or optical connections here. You will have to use those old-fashioned RCA phono cables instead, which is far from cool. But don’t despair: the Pyle has a built-in Bluetooth wireless, which makes streaming from your phone, tablet or laptop a breeze. If this is the way you like your home entertainment, then this will do the trick for you, and for $200 it can fill your room with 7.1 surround glory. If you absolutely must have 7.1, but don’t have a lot to spend, pick this up.
See the Pyle PT798 SBA

New 7.1 Home Theater Systems Coming Soon

While new 7.1 home theater packages tend to be few and far between, there are some exciting developments on the horizon. The biggest one comes from French manufacturer Focal, who have recently announced the Chora 826-D - their first set of Dolby Atmos floorstanding speakers. If you aren’t familiar with Focal, you should know that they make impeccable speakers and headphones. If they can pull everything together into a full package, watch out. There’s no word on pricing yet, but we hope to include them on this list soon, if they measure up.

In terms of soundbars: look out for the new Atmos-capable JBL Bar 9.1. We certainly will be. As you can tell from the name, it’s a soundbar system that offers a staggering 9.1 speaker channels. JBL have been going through something of a renaissance lately, and we look forward to seeing how they compete in the 7.1 space. If you’re looking at the Nakamichi Shockwafe Elite 7.2.4 system mentioned above, it may be worth waiting for the 9.1 from JBL, which drops later this year.

7.1 Home Theater System Comparison Tables

Usually, we’d just have one table, but in this case, we’ve got one for speakers and one for receivers. 

Speakers are up first. Note that the values for Freq refer to the lowest and highest frequencies all speakers in a system can reach, and RAP refers to Recommended Amp Power.

System Price RAP Lowest Freq Highest Freq
Aperion Verus III 10D $5,844 Unknown Unknown Unknown
Klipsch Ref. Premiere 7.1.2 $4,394 75-600W/8Ω 35Hz 25kHz
Sony STR-DN1080 7.2 $1,498 N/A 20Hz 20kHz
Bowers & Wilkins CT800 $90,000 Unknown Unknown Unknown
Axiim 7.1 WM Series $4,536 N/A 20Hz 20Hz
Klipsch RP-8000F 7.1 $3,099 150-600W/8Ω 18Hz 25kHz
MartinLogan Motion 7.1 $7,095 20-440W/4Ω 20Hz 25kHz
Paradigm Premier Series $5,500 15-180W/8Ω 53Hz 22kHz
Nakamichi Shockwafe $950 N/A 35Hz 22kHz
Def. Tech. 7.1 System $4,522 Unknown 22Hz 40kHz
Fluance Signature Series $1,510 30-200W/8Ω 35Hz 20kHz
Aperion Verus III GB $4,145 Unknown Unknown Unknown
Polk Audio Signature 7.1 $1,954 20-200W/8Ω 30Hz 40kHz
Klipsch RP-250F 7.1 $2,795 100-400W/8Ω 35Hz 25kHz
Acoustic Audio HD-725 $239 Unknown Unknown Unknown
Pyle PT798 SBA $400 Unknown Unknown Unknown

And then the receivers. 'Inc' under the Price section means it's included in the speaker package above. Exp. refers to the number of channels a receiver can be expanded to; Conn. refers to its connectivity.

Receiver Price Wattage Surround Exp. Conn.
NAD T 778 $2,999 110W/8Ω - 2ch Dolby Atmos, DTS Master Audio 9.2 Blue./Wi-Fi
Denon AVR-X4500H $1,599 125W/8Ω - 2Ch Dolby (Various), DTS (Various) 11.4 Blue./Wi-Fi
Sony STRDN1080 Inc. Unknown Dolby Atmos, DTS:X N/A Blue./Wi-Fi
Denon AVR-X4400H Inc. 105/8Ω - 2Ch Dolby (Various), DTS (Various) 11.2 Blue./Wi-Fi
Anthem MRX 1120 $3,599 140W/8Ω - 2ch Dolby Atmos, DTS:X 11.2 Wi-Fi
Marantz SR8012 $2,999 140W/8Ω - 2ch Dolby / DTS (Various), Auro3D 11.2 Blue./Wi-Fi
Yamaha RX-A3080 $2,000 150W/8Ω - 2ch Dolby (Various), DTS (Various) 11.2 Blue./Wi-Fi
Pioneer VSX-934 $377 160W/8Ω - 2ch Dolby (Various), DTS (Various) N/A Blue./Wi-Fi
Denon AVR-S740H $479 75W/8Ω - 2Ch Dolby Atmos, DTS:X 7.2 Blue./Wi-Fi
Denon AVR-X1300W Inc. 80W/8Ω - 2ch Dolby Atmos, DTS:X N/A Blue./Wi-Fi
Onkyo TX-RZ820 Inc. 150W/8Ω - 2ch Dolby (Various), DTS (Various) 9.2 Blue./Wi-Fi
Denon AVR-X1600H $599 75W/8Ω - 2Ch Dolby Atmos, DTS:X N/A Blue./Wi-Fi
Pyle PT798 SBA $200 Unknown None N/A Bluetooth

Height speakers (like these) enable Dolby Atmos audio | The Master Switch

7.1 Home Theater System Buying Advice

What Is A 7.1 System?

A 7.1 surround system is a home entertainment package consisting of seven speakers and one subwoofer, connected to an AV receiver with the right credentials - namely, enough separate speaker connections and wattage to power everything. The receiver acts as the main hub where all audio and visual sources such as Blu-ray/DVD players, game consoles, computers and wireless streaming are being connected into, and the speakers…well, they make noise. From the front, back, and sides, as well as shaking your stomach with bass. (If you want a guide to the big differences between 5.1 and 7.1, check this out.)

The receiver is linked to your TV screen (or two or three, depending on the receiver's specs) as well as decoding (or translating) audio data into surround sound playback, where sounds can freely 'hover' between the surround speakers. On rarer occasions you may find the same setup but with a separate power amp and receiver, which is the kind of thing that only dedicated audio fiends get into. It's a bit much for our purposes here though! As with any other technology, the quality of 7.1 system can vary depending on cost. You can find 7.1 systems from as little as a couple of hundred bucks these days. Cheaper setups will still let you experience surround sound motion, but many have very limited connectivity. And such entry level sound quality is quite comparable to a glorified ghetto blaster, really. Oh, and if the idea of seven-plus speakers makes you break out in hives, don't worry. We've got a full guide to all the connections you'll need to get things up and running.

How about $90,000 for a 7.1 system? These Bowers & Wilkins speakers make it possible | Derrick Noh
Photo: Derrick Noh

How We Chose our List of 7.1 Systems

One of the best ways to put together a 7.1 system is to mix and match individual components from different companies: satellites from one, sub from another, floorstanding speakers from a third. We can't really list those here; each room and listening situation is different, and listing individual components would make this roundup unwieldy as hell. What we've done instead is focus on companies that offer 7.1 'packages' - sets of matched speakers, ready to go. Where indicated, we've paired these packages with a good receiver. In our mind, this is by far the simplest method of doing this, even if it does mean that excellent companies like Phase, Harman Kardon or SVS don't make the list. Those companies, unfortunately, don't offer dedicated 7.1 packages for purchase - although their individual components feature on plenty of other product roundups on this site, and we'd absolutely recommend them if you go the component route. Our approach does mean that some companies do dominate. To make things easier, we've broken down our picks into handy categories - no matter what your budget, we've got something for you.

Are These All Home-Theater-In-A-Box?

Absolutely not. For the record, we have nothing against single-purchase, complete home theater systems. You can be snobbish about it as you want, but they offer an undeniably convenient way of experiencing home theater, which is often ideal for smaller spaces. However, we would stop short of describing any of the above systems as HTIBs. Well, with the exception of the Pyle PT798 SBA, which actually is. Then again, it’s one of the very, very few.

What these are, as we stated at the very top of this article, are home theater speaker packages of at least seven speakers and one subwoofer, that are offered together for a single price. In almost all cases, we’ve recommended a separate receiver to pair with them. This kind of situation – where a speaker set up this large is actually offered in a bundle – is actually pretty rare. It’s meant we’ve had to leave a few manufacturers off the list, because while they all have a presence in the home theater space, they don’t actually sell bundles of their speakers beyond 5.1. We hope you’ll forgive us for that. We discovered when putting this together that trying to create an ultimate best-of list that took into account at least four different types of products (subwoofers, floorstanding speakers, satellite speakers, and receivers) just made things way too unwieldy. We absolutely do recommend assembling a bespoke system out of individual products from your favorite manufacturers, if you have the money and patience to do so. If that’s the case, you may want to look at some of our individual product roundups to get started. How about our floorstanding speaker lineup? Or our list of the best subwoofers of this year? In those articles, you’ll find fantastic products from fan favorite manufacturers like SVS, Paradigm, ELAC and more. We didn’t leave them out because we forgot them, we promise.

7.1 surround sound home theater | The Master Switch

7.1 vs. 9.1 vs 11.2

Let’s say you’ve already installed your 7.1 surround system. That’s your starting setup. What if you wanted to go bigger? What, you thought we’d just stop at seven? Nah, man. You can add a second subwoofer if you really want monster bass, making it into a 7.2 system setup (where the number after the ‘point’ represents the subwoofer). This is easy enough - almost all receivers will be able to send audio to two subs, and then all you need to do is plug them into the mains. Larger-format surround systems can also be split into zones (different rooms). If you had your kitchen next to the movie room, you could actually kit it out with a pair of stereo speakers and subwoofer (2.1) while leaving the remaining 5 speakers and the second subwoofer to act as a regular 5.1 in your main room - both zones would be powered by the same 7.2 receiver. In that way you can ‘keep up’ with the movie, while preparing dinner or having a chat on the phone. That is a thing you could do.

But let’s say you want to go bigger. It’s worth investigating 9.1 and up. To do this, you need to use what are known as matrix sound channels. If that sounds complicated, all you have to know is that the original seven channels (and one sub channel) from the back of your receiver are all discrete channels that carry an independent signal, whereas a matrix channel actually blends some of this audio, helped along by the surround sound codec to translate it for a height speaker. Because that’s what 9.1 and 11.1 (or 9.2 and 11.2, if you have two subwoofers apiece) are. They involve height speakers.

If you only have two, taking the system to 9.1, you would place these either above you and on either side of your listening position, or above your front speakers. If you had an 11.1 system, you would have speakers in all four positions, or alternatively, in the corners of the room. If you wanted to get this effect, then look at the Paradigm Premier Series system paired with the Marantz SR8012 receiver, which will take you all the way up to 11.2 channels for a little over $9,000, plus change for some additional speakers (the Paradigm website lets you buy as many or as few speakers as you need, allowing you to customize your system). You can, by the way, keep increasing the channels, but you need specialized equipment to do so, not to mention an absolutely massive room. We’ll talk about that a little more in the next section.

An Auro-3D mixing room| Auro-3D
Photo: Auro-3D

Dolby Atmos vs. DTS:X vs. Auro3D

Dolby, DTS and Auro3D are the three big surround sound companies you need to know about. They make what are known as surround sound codecs: complicated software programs which take the sound source and use special algorithms to create a lifelike surround sound experience. While each of the companies has quite a few different codecs on offer, there are only three you really need to worry about. We are going to take each one of them in turn.

Dolby Atmos

This is probably the most common. Chances are if you’ve been in a movie theater in the past five years, you’ve heard this one. It’s a very big dog it uses what is known as object-based surround sound: instead of sending a sound to a certain channel just because that’s what it’s mixed as, it uses, located programming tricks to blend the sounds together, placing each one of them indistinct, predetermined positions around the room by mixing them between the speakers.

To get your Dolby Atmos system working, you need one of several things. You need a set of height speakers (ideally, four) along with rear ones, a set of speakers that are angled upwards to fire their audio off the ceiling, or a set of modules that you place on top of existing speakers. Either way, if you want to take full advantage of this, you need quite a bit more speakers than a basic 7.1 system. The good news: even if you don’t have the space or budget for this, your 7.1 system can still take advantage of plenty of other Dolby codecs. By the way, Dolby often refers to their systems as 7.1.4, or 9.2.4. These are functionally the same as 11.1 or 13.2 systems - a bunch of ear-level speakers with four added height speakers. Don’t let the numbers get you down.


The thing about Dolby Atmos is that it absolutely requires height speakers to work. The thing about DTS:X is that it doesn't. It's a software codec that works with just about any speaker setup you can imagine. While it doesn't have quite the positioning capabilities of a full Dolby Atmos system, it still manages to eke some terrific imaging out of even a basic 5.1 system. You also don't need special hardware: in many cases, the DTS codec can be downloaded to a receiver as a software update, which is awfully handy. Having height speakers definitely improves things dramatically. But all the same, this is a very useful codec to have. It should be pointed out that almost all receivers these days come with both Dolby Atmos and DTS:X built in, so you shouldn't even have to choose. Interestingly, several of the setups in our list of the best 5.1 speaker systems use DTS:X, and are perfect for smaller rooms.


This is kind of a strange one – and even though it’s been out for a while, it hasn’t really managed to make significant inroads into the market held by Atmos and DTS:X. Unlike Dolby’s codec, which relies on object-based sound, Auro-3D is all about the channels. It what you go for if you have not only the space for multiple height speakers, but also a speaker known as the Voice Of God - how cool? - which is installed in the ceiling directly over your listening position. You don’t absolutely have to have this to use Auro-3D, but you do have to have at the very least a 9.1 system. There’s no denying that Auro-3D is amazing. We think it’s on par with Dolby’s codec, and in many cases, goes beyond it. But it’s still very much a dark horse in this particular race. If you do want to check it out, more and more receivers are including option for it, often in the form of an upgrade (which you’ll pay for). The Marantz SR8012 is a perfect example.

It's always a good idea to have more than one subwoofer. Don't place them like this, though! | The Master Switch

7.1 Speaker Placement Explained

A quick refresher: speaker sets for 7.1. surround systems include a center channel speaker, left and right front channel speakers, a subwoofer, left and right surround speakers and left and right rear surround speakers. We'll steer clear of 9.1 and 11.1 systems here.

The rear surround speakers help to fill larger rooms more completely and add more depth to the experience by spreading the sound across four speakers rather than two (as found in 5.1 surround), resulting in more directed, immersive sound. The idea is to surround your listening position with speakers, putting the center channel, front channel and subwoofer in front of you, the left and right speakers on…well, your left and right, and the rear speakers behind you. Generally, you're supposed to elevate these, but that isn't always possible, so let's break down placement of a basic system. Chances are, you got some idea of where to put it all, because you have a brain. But that isn't really the point, is it? The point is to put it not just in the appropriate place, but in the best place. And finding that takes a little doing.

Let's assume for the moment that you have all three types of speakers knocking around. Let's start with the easy bits: the floorstanding speakers. These go, as your probably shocked to hear, on the floor, usually on either side of the TV. The exact placement of these is largely dependent on the shape of your room, but you want them in a rough triangle with the place you're going to be sitting. They should be roughly equidistant, and shouldn't be too close to walls or corners, which can lead to their bass frequencies getting a little muddled.

Next up, the subwoofer. The received wisdom is to put the thing underneath or next to the TV, but there's actually a little trick you can use to find the best place to put it. Wire up the subwoofer (and we'll talk about wiring in the section below) then put it in the place where you'll be sitting. Find something bass heavy. A track by Skrillex or Diplo would be ideal. Start playing, then crawl around the room at floor level. Yes, we know you look ridiculous, but there is a purpose to this, we promise. Find a spot in the room where the bass sounds the best, where it sounds as it's meant to. That's where you want to put your sub. This trick isn't completely full proof, and again, largely depends on the size of your room, but it's still very useful tool to have in your arsenal.

The easiest one of these to place is the center speaker, which should be labelled as such. Put it in front of or just underneath your TV. Job done. Next, check out the front left and right speakers, which, again, should be labelled clearly. These are quite tricky to place. You need them at ear level when you're sitting in your listening position, and you also don't want them too far apart or too close together. Doing either of those things will mess with your sound. Start with the speakers around three feet from the TV on either side, and work from there. You'll need to experiment a little bit to get it right.

Assuming you've got a 7.1 system, you will have four more speakers to place. Two of them should go directly to the sides of your listening position, again at eye level. The biggest mistake we see is people mounting them in the ceiling or in the corners of the room. Don't do that. Don't be a corner-mounter. Get two on either side, and two at the rear. And by rear, we mean a good three or four feet behind your listening position. By now, you may be thinking: what if I have a small room? What is my listening position (usually the couch) is up against the wall? How do I place rear speakers then? Answer: you don't. If you have a small room, a 7.1 system is going to be wasted. You're far better off buying a 5.1 system, or better yet, ditching surround sound entirely and just going for a good pair of floorstanding speakers. It will save you time, money, and irritation. We know. We've been there.

7.1 surround sound home theater | The Master Switch

7.1 Speaker Connections

We’ll just go over the basics here. If you want a much more in-depth look at wiring things up, here’s a guide we put together explaining just that.

Looking at the back of your AV receiver, you’d be forgiven for thinking that you’ll need a dozen types of cables that aren’t included in your purchase. This can send you running in a panic to Amazon, trying to decipher just what a coaxial audio D/Si200 cable is, and whether you need it to hook your sub up properly. It’s true that we used to need all sorts of different connections to get our system working, but that’s until one glorious thing came along and rendered most of them irrelevant: HDMI. HDMI cables are instantly recognisable, and beautifully simple. They are thin rectangles with one edge cut at a slight diagonal, and they will take care of 90% of your home theater needs. Your TV? HDMI. Your console? HDMI. While it’s certainly a good idea to have additional HDMI cables knocking around, because they can be incredibly useful for a whole bunch of things, they certainly aren’t essential.

Okay, so there are a couple of other cables you may need to know about. Surround sound systems sometimes use a digital coaxial cable, a cylindrical orange or black plug with a little golden nubbin shooting out of it. You may also see a cable with two plugs on the end of it, also cylindrical, and also with the same gold nubbin. That’s a stereo audio cable, and you plug both bits in to activate both the channels in your speakers. You won’t find these in surround sound systems, but they do still pop-up from time to time. You may (and this is rare) come across things like component video cables and composite video cables and optical cables. We don’t think it’s worth going into what they do here, as there is becoming increasingly uncommon. And by the way, ignore the thing that says S Video on it. Nobody in the history of home theater has ever used an S Video cable. Nobody even knows what they are.

Once you’ve got your cable type sorted, hooking things up should be relatively straightforward. Every system is different, so we can’t give you a completely all-encompassing way to do it here, the good thing to remember is signal flow. The output HDMI from your TV and Blu-ray player/console should go into the HDMI inputs on the receiver, and the speakers should connect up to their relative spots as well.

You don't need a big room to get a 7.1 system | Jan Hammershaug
Photo: Jan Hammershaug

Wattage and Impedance Explained

When purchasing separate receiver and separate speaker system you need to make sure they match each other’s power. It’s a bit like weight scales - whatever power your speakers require, the amp should be able to deliver, and without struggle: they should be equally matched. It’s OK if the amp has a bit more wattage than the speaker, but try to avoid the other way round, which may potentially damage your amp! The good news is, if you go with our recommendations above, you won’t actually have to worry about any of this. The amps and the speakers are reasonably well-matched already, so there’s no guesswork involved. But, for the purposes of this article, let’s do a practical example. This example is going to use two concepts: wattage (read, the amount of power something puts out) and impedance (a measure of electrical resistance) Let’s take the Onkyo TX-NR838 receiver. It’s RMS wattage (the amount of power it puts out over a period of time, as opposed to peak wattage, which is max it can put out in one go - think a jog, versus a sprint) is 130 watts, which is what it’s capable of producing if it meets a set of speakers with eight ohms of electrical resistance.

Matching speakers to this is actually very simple. Every set of speakers will have a recommended amplifier power, which shows the range of power that they can comfortably take. For example, the Fluance Reference Series (which we’ve paired the 838 with in our list) can take amp power of between 80 and 200 watts, while offering eight ohms (8Ω) of electrical resistance. 

You will notice that in this case, the ohm levels are matched. In general, this is what you want. Try to avoid matching a set of speakers with a lower nominal impedance to an amplifier that doesn’t offer ratings of that impedance. If you ever do encounter speakers with a higher impedance rating than the amplifier, then go right ahead. You can read more about this in our highly detailed guide to matching amps and speakers.

In-Wall Speakers vs. External Speakers

One of the most common questions we get is from people who want to install ceiling and in-wall speakers in their listening rooms, and want to know the best way to go about it. You'll notice that almost all the speaker systems on this list are external - only one, the Acoustic Audio HD-725, is an in-wall-type system. That's because we firmly believe that in-wall systems are largely an anachronism. Feel free to debate us on this in the comments, but for the most part, we think you're much better off with separate, individual speakers.

The advantages of in-wall and ceiling speakers, on the one hand, is that they look discrete. You can hide them away, and give your room a sleek, minimalist feel. Problem is, that's about the only advantage. You're essentially sacrificing any advantages a tuned speaker cabinet might give you for the echoing, cavernous space in your walls and ceilings. Even some in-wall speakers which come in small, self-contained cabinets won't sound nearly as good as individual speakers. You also have to actually cut holes to install them (obviously) - which means zero margin for error in placement. And finally, doing it this way means it can be tricky to upgrade later. Our take? Stick to individual speakers. They make so much more sense.

7.1 surround sound home theater | The Master Switch

Frequency Ratings Explained 

We don’t put a lot of emphasis on frequency ratings here at TMS. For the majority of people, we simply don’t think they are that useful, although you’re more than welcome to fight us in the comments if you disagree. However, when it comes to home theater speakers, we find they can give you a general idea of the range the speakers occupy. A quick primer, if you don’t know what we’re talking about. A frequency measurement is a measurement of the pitch of the sound: how high or how low it is. It’s measured in Hertz (Hz). Humans can hear from roughly 20Hz (a super-low bass note) to 17kHz (a really, really high-pitched finger-on-a-glass-type note. kHz, by the way, means kilohertz, or a thousand hertz - as in, 17,000 Hz).

What we’ve done in our table above is give the lowest frequency of sound that given 7.1 speaker system can offer (usually via its subwoofer) and the highest it can offer via its other speakers. You shouldn’t read too much into this, mostly because these speakers can often generate higher notes that we can actually hear, and it’s annoying when manufacturers emphasize this. But it’s good to know, and in some cases, it can be useful when evaluating speakers.

Room Acoustics Explained

The most expensive speakers in the world won’t mean a damn thing if you don’t treat your room. That’s because most rooms have walls, and a ceiling, on the floor, and…actually, make that all rooms. If you don’t do anything to them, what those services will do is reflect sound back into the room, absorbing very little. That reflected sound will get together and get dirty, and generally mess up your beautiful surround sound image. To rectify this, you need to add in some acoustic proofing. There are hundreds of solutions out there, and we don’t really have the space to go into them right now, but as a general rule, they take the form of thick foam panels that hang on the walls and ceiling at key points, as well as even thicker bass traps that go in the corners of the room. If you want to see an example, check out this ATS Acoustic Panel, although there are many different flavors of this particular piece of equipment.

We are in the process of putting together a full guide to treating a home theater room. In the meantime, here’s one of the better guides we found, which offers some very neat tricks for getting this done. Follow it, and thank us later.

7.1 surround sound home theater | The Master Switch

Using 7.1 Home Theater Systems for Music

One of the most common questions we get asked is how to use a surround sound system for music. Because on the surface, they aren’t necessarily compatible. Almost all songs are mixed for two channels - left and right. Playing a traditional piece of music in a multichannel system isn’t always easy, and is next to impossible with a stereo mix. Even if you get all seven or nine speakers playing, they’ll most likely just be playing multiple versions of the same channels. You’ll have to go out of your way to find the 5.1 and 7.1 mixes of your favorite albums - if they exist, that is.

However, this may be changing. Recently, PMC did something interesting with the classic album Kind of Blue, by Miles Davis. With the blessing of the Davis estate, who provided the original master tapes, PMC’s engineers created a Dolby Atmos surround sound mix of the album, which they debuted at the Munich High-End audio show. Sadly, we weren’t there to witness it, but we’ve heard that it was ridiculously good.

Unfortunately, right now this kind of experiment is likely to remain just that: an experiment. While the music industry has messed around with four-channel mixes before, back in the 1970s, there is virtually no demand for multichannel original recordings right now. Some film soundtracks are released in 5.1 or 7.1, and every so often an artist will have a stab at it, but it’s exceedingly rare. It’s perfectly possible to play regular music on a surround system, and will almost certainly sound fantastic. But you won’t be getting any more information than you would if you played it out of a standard two-channel hi-fi setup. If you do want to use your surround system for music, we suggest setting your receiver to stereo mode. That way, it will devote all of its power and processing to the front left and front right speakers, giving you the best possible experience.

Back To Our 7.1 Picks  Back To Our Comparison Tables

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